Rene Magritte Paintings, Poster, Prints, Art Wallpapers

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La Grande Famille, 1963

La trahison des images

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 Time Transfixed

 Golconde

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The Son of Man, 1964
The Son of Man, 1964 Art Print
Magritte, Rene
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La Trahison des Images
La Trahison des Images Art Print
Magritte, Rene
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Framed   Mounted
L'Empire des Lumieres
L'Empire des Lumieres Art Print
Magritte, Rene
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La Chateau des Pyrenees
La Chateau des Pyrenees Art Print
Magritte, Rene
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Golconde
Golconde Art Print
Magritte, Rene
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Le Seize Septembre
Le Seize Septembre Art Print
Magritte, Rene
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Les Amants
Les Amants Art Print
Magritte, Rene
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Le Blanc-Seing
Le Blanc-Seing Art Print
Magritte, Rene
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René Magritte (1898-1967), Belgian painter, one of the major surrealists. Magritte was born in Lessines, a small town in Belgium. He studied at the Académie Royale des Beaux-Arts in Brussels, the capital of Belgium where he later settled permanently. Magritte was interested in the modern European movements of cubism and futurism before he discovered the paintings of Giorgio de Chirico in 1923. The unusual combination of objects in de Chirico’s works influenced Magritte’s choice of subject matter.

In 1926 Magritte met André Breton, founder of the surrealism movement, and he became involved with the surrealist painters in Paris, where he worked from 1927 to 1930. By the time of his first one-man exhibition in Brussels in 1927, Magritte had begun to paint in the style, closely akin to surrealism, that remained dominant throughout his long career.

A meticulous, skillful technician, Magritte is noted for works that juxtapose ordinary objects in unusual contexts. Everyday objects are reproduced in exact detail but placed in incongruous settings and combinations: A huge bright-green apple pushes out at the walls of a room; men fall like raindrops over rooftops; a giant heavy boulder floats across a clouded blue sky. Magritte’s work conveys a sense of mystery, uneasiness, and even fear by presenting an environment totally unlike that of everyday experience.

Early in his career Magritte introduced words into his paintings, contrasting the varying degrees of reality in the name of an object, the image of the object, and the object itself. Among his best-known works in this vein is La Trahison des Images (The Treachery of Images, 1928-1929, Los Angeles County Museum of Art). Below the painted image of a smoker’s pipe appears the written declaration, “Ceci n’est pas une pipe” (This is not a pipe). Magritte displayed a mordant wit in creating surrealist versions of famous paintings, such as Madame Récamier de David (1949, private collection). In this painting an elaborate coffin is substituted for the reclining woman in the famous portrait by Jacques-Louis David.

Magritte’s work was first shown in the United States in New York City in 1936. The first major retrospective exhibition of his work was presented by the Museum for Contemporary Arts in Dallas, Texas, in 1960. The Museum of Modern Art in New York City organized an important retrospective of Magritte’s paintings in 1965 that traveled to several cities in the United States in 1966. The Metropolitan Museum of Art had a Magritte retrospective in 1992. Magritte’s works were shown in major European exhibitions in Rotterdam in 1967, in Paris in 1979, in Brussels in 1998, and in Rome in 2001.

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MAC OS 9:

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